

A lot of factors can affect the consistency of a handspun single: the fibre you're spinning, the wheel or spindle you're spinning on, how you have your wheel configured in terms of tension, drive, etc. When you're spinning, you're engaging your senses, training them to keep track of different sensory inputs: how much twist is going into the fibre, how much fibre you're making available to receive the twist, how fast the spun single is being drawn into the orifice.
Hand-spinning teaches you above all else to be present, to be in the now.
The problem was that I wasn't.
Slipping through my fingers

During that time, I wasn't present. My mind was racing, pandering to every worry that filtered through, slowly building an extensive catalogue of what-if's.
Kierkegaard once said, "The most painful state of being is remembering the future, particularly the one you'll never have," and this was certainly true for me. I was reliving professional and personal disappointments and unrequited loves. And once you start entertaining the notion that you've effectively doomed your future happiness by the choices you've made in the present, why would you even want to be here?
And so, sadness kept my away from spinning. At least temporarily. Perhaps I did not seek solace in it as I wanted to keep my craft untainted by this darkness. That perhaps by keeping it at arms length, I could preserve my refuge, and by extension, keep some wisp of hope of alive that would lead me back to safety, one day.

Day 7.
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